Tuesday, April 21, 2026

Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

   

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

   

We're Just Here for the Bad Guys: Brian Van Lau
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

   

Arcanite Pictures: Oracle in the Aperture
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Undressed: The Nude in Dutch Art, circa 1550-1800
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition, encompassing 21 works in various media, surveys the portrayal of nudity and semi-nudity in a variety of subjects rendered by Dutch artists over several centuries. It will explore how the nude has been articulated, both artistically and contextually, to disrupt traditional ideas of nudity in art, which were primarily argued by Sir Kenneth Clark in The Nude: A Study in Ideal Form (1956).

In this influential text, Clark posited that the presence of the nude in art, existed above and beyond cultural circumstances, as a timeless, almost abstract ideal. He advanced a distinction between "naked" and "nude," with the latter explained as an idealization, or an evocation of timeless ideals. To the contrary, this exhibition presents nudity in art as a phenomenon that is time-bound and culturally determined.

   

Strides Toward Democracy Film Series: Beneath the Surface: The Storied History of Onondaga Lake
Onondaga Historical Association

Price: $12
Manlius Cinema
135 E. Seneca St., Manlius

Beneath the Surface: The Storied History of Onondaga Lake covers the amazing history of the lake and the remarkable impact it has had on our American Way of Life over the past six centuries. From the birthplace of the Great Law of Peace and the great Haudenosaunee Confederacy, the first representative democracy in the west, to the production of the country's largest supply of some of its most important commodities and innovative products, to the Resort Era and the WPA project that built Onondaga Lake Park, to the most polluted lake in America, to one of the largest Superfund Clean-up sites in history, to a tourist attraction and the center of economic, cultural, recreational, educational, and natural development in our community.

Tickets

   

Tatsuya Nakatani with Trillium Free Music Group and Poetry from Bee
ArtRage Gallery

Price: Suggested donation $10-$20
ArtRage Gallery
505 Hawley Ave., Syracuse

An evening of experimental music, improvised compositions and poetry.

Tatsuya Nakatani: solo improvised performance for percussion + bowed gong
Trillium Free Music Group: new CNY-based ensemble performing spontaneously composed electro-acoustic music
Poetry from Bee: live poetry reading

   

Mark Hummel & The Blues Survivors with Anson Funderburgh
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Tickets

   

Doubles Duo
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Panasci Family Chapel
LeMoyne College, Syracuse

Doubles Duo presents a selection of contemporary music arranged for the unique instrumentation of oboe (Jillian Honn) and double bass (Zack Merkovsky).

Tickets

   

& Juliet
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Created by the Emmy-winning writer from "Schitt's Creek," this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: what would happen next if Juliet didn't end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way.

Juliet's new story bursts to life through a playlist of pop anthems as iconic as her name, including "Since U Been Gone‚" "Roar," "Baby One More Time," "Larger Than Life‚" "That's The Way It Is," and "Can't Stop the Feeling!" — all from the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there's life after Romeo. The only thing tragic would be missing it.

Tickets

   

Wednesday, April 22, 2026

Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

   

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

   

We're Just Here for the Bad Guys: Brian Van Lau
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

   

Arcanite Pictures: Oracle in the Aperture
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

   

Undressed: The Nude in Dutch Art, circa 1550-1800
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition, encompassing 21 works in various media, surveys the portrayal of nudity and semi-nudity in a variety of subjects rendered by Dutch artists over several centuries. It will explore how the nude has been articulated, both artistically and contextually, to disrupt traditional ideas of nudity in art, which were primarily argued by Sir Kenneth Clark in The Nude: A Study in Ideal Form (1956).

In this influential text, Clark posited that the presence of the nude in art, existed above and beyond cultural circumstances, as a timeless, almost abstract ideal. He advanced a distinction between "naked" and "nude," with the latter explained as an idealization, or an evocation of timeless ideals. To the contrary, this exhibition presents nudity in art as a phenomenon that is time-bound and culturally determined.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

   

CNY Artist Initiative: Ann Clark: Interior Landscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Ann Clarke is a celebrated fiber artist originally from Rochester, NY. Clarke's newest series, Interior Landscapes, includes large-scale rugs installed on walls for museum visitors to contemplate. Dreamlike images of trees challenge us to consider the vulnerability of our wooded landscapes. Oversized, empty chairs remind us of the consequences of loss — of both people and the environment in which we make our homes.

   

Feats of Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Central New York's Feats of Clay competition was established in 1987 to foster education in the ceramic arts for Syracuse-area high schools. Now in its 37th year, the event includes schools from as far away as the North Country and the Southern Tier and features a juried exhibition that recognizes students who demonstrate excellence in ceramic sculpting and vessel making.

On Friday, May 1, 2026, 500 students representing more than 25 schools will converge on the Everson Community Plaza to compete in a series of Olympic-style competitive events that involve (among other things) throwing blindfolded on the potter's wheel, stacking wheel-thrown cylinders, and building towering constructions out of clay coils.

   

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

   

A Riding Tide of Plastic in Art
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Project Vortex is an international collective of artists, designers, and architects actively focusing on the global problem of plastic pollution through their art. Curated by founding member Aurora Robson, this exhibition features a selection of works by Project Vortex members who are sequestering post-industrial and post-consumer plastic into works of art.

The world produces an estimated 360 million metric tons of plastic waste annually. Only approximately 9% of plastics are actually recycled globally. Current research reveals that microplastics are present in the bodies of virtually all humans. Operating at the intersection of art and science, Project Vortex strives to inspire people to rethink and reinvent plastic debris through innovation, creative stewardship, and education. Dedicated to improving global understanding of the impacts of plastic consumption and pollution, Project Vortex works to restrict the flow of plastic debris into the oceans and subsequently into the bodies of humans and animals.

   

CNY Artist Initiative: Gallery Talk with Ann Clarke
Everson Museum of Art

Price: Pay what you wish
Everson Museum of Art
401 Harrison St., Syracuse

Join CNY Artist Initiative featured artist Ann Clarke for a gallery talk to learn more about her work and special exhibition Ann Clarke: Under the Canopy.

   

Snaps & Taps Open Mic Night
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Join us for a night filled with creativity and talent, hosted by Randum. Whether you're a poet, musician, comedian, or storyteller, this is your chance to shine! Bring your friends, grab a seat, and get ready to be entertained. Don't miss out on this opportunity to showcase your skills or simply enjoy the performances.

Tickets

   

& Juliet
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Created by the Emmy-winning writer from "Schitt's Creek," this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: what would happen next if Juliet didn't end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way.

Juliet's new story bursts to life through a playlist of pop anthems as iconic as her name, including "Since U Been Gone‚" "Roar," "Baby One More Time," "Larger Than Life‚" "That's The Way It Is," and "Can't Stop the Feeling!" — all from the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there's life after Romeo. The only thing tragic would be missing it.

Tickets

   

Thursday, April 23, 2026

Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

   

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

   

We're Just Here for the Bad Guys: Brian Van Lau
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

   

Arcanite Pictures: Oracle in the Aperture
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Undressed: The Nude in Dutch Art, circa 1550-1800
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition, encompassing 21 works in various media, surveys the portrayal of nudity and semi-nudity in a variety of subjects rendered by Dutch artists over several centuries. It will explore how the nude has been articulated, both artistically and contextually, to disrupt traditional ideas of nudity in art, which were primarily argued by Sir Kenneth Clark in The Nude: A Study in Ideal Form (1956).

In this influential text, Clark posited that the presence of the nude in art, existed above and beyond cultural circumstances, as a timeless, almost abstract ideal. He advanced a distinction between "naked" and "nude," with the latter explained as an idealization, or an evocation of timeless ideals. To the contrary, this exhibition presents nudity in art as a phenomenon that is time-bound and culturally determined.

   

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

CNY Artist Initiative: Ann Clark: Interior Landscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Ann Clarke is a celebrated fiber artist originally from Rochester, NY. Clarke's newest series, Interior Landscapes, includes large-scale rugs installed on walls for museum visitors to contemplate. Dreamlike images of trees challenge us to consider the vulnerability of our wooded landscapes. Oversized, empty chairs remind us of the consequences of loss — of both people and the environment in which we make our homes.

   

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

   

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

   

Feats of Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Central New York's Feats of Clay competition was established in 1987 to foster education in the ceramic arts for Syracuse-area high schools. Now in its 37th year, the event includes schools from as far away as the North Country and the Southern Tier and features a juried exhibition that recognizes students who demonstrate excellence in ceramic sculpting and vessel making.

On Friday, May 1, 2026, 500 students representing more than 25 schools will converge on the Everson Community Plaza to compete in a series of Olympic-style competitive events that involve (among other things) throwing blindfolded on the potter's wheel, stacking wheel-thrown cylinders, and building towering constructions out of clay coils.

   

A Riding Tide of Plastic in Art
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Project Vortex is an international collective of artists, designers, and architects actively focusing on the global problem of plastic pollution through their art. Curated by founding member Aurora Robson, this exhibition features a selection of works by Project Vortex members who are sequestering post-industrial and post-consumer plastic into works of art.

The world produces an estimated 360 million metric tons of plastic waste annually. Only approximately 9% of plastics are actually recycled globally. Current research reveals that microplastics are present in the bodies of virtually all humans. Operating at the intersection of art and science, Project Vortex strives to inspire people to rethink and reinvent plastic debris through innovation, creative stewardship, and education. Dedicated to improving global understanding of the impacts of plastic consumption and pollution, Project Vortex works to restrict the flow of plastic debris into the oceans and subsequently into the bodies of humans and animals.

   

Alisha B Wormsley: The Temple of Our Survival
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

The Temple of Our Survival is new video work commissioned by Light Work for projection at UVP exploring what survival means and looks like through a series of interviews conducted by the artist with local care workers, land stewards, and cultural workers in her nomadic film set and project space.

Screening begins at dusk.

   

LeMoyne Student Dance Company Spring 2026
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

LSDC presents its spring recital with over a dozen routines in a variety of styles, choreographed by students and guest choreographers.

Tickets

   

Bywater Call at the Hosmer Auditorium
The 443 Social Club

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Bywater Call, out of Toronto, Canada, is a perennial 443 favorite with a new, exuberant musical hybrid of rock, blues, New Orleans funk, R&B and southern soul. Bywater Call is made up of Meghan Parnell, vocals; Dave Barnes, guitar; Bruce McCarthy, drums; Mike Meuselon, bass; newest member John Kervin, keys; Stephen Dyte, trumpet; and Julian Nalli, tenor sax.

Tickets

   

& Juliet
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Created by the Emmy-winning writer from "Schitt's Creek," this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: what would happen next if Juliet didn't end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way.

Juliet's new story bursts to life through a playlist of pop anthems as iconic as her name, including "Since U Been Gone‚" "Roar," "Baby One More Time," "Larger Than Life‚" "That's The Way It Is," and "Can't Stop the Feeling!" — all from the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there's life after Romeo. The only thing tragic would be missing it.

Tickets

   

Friday, April 24, 2026

Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

   

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

   

We're Just Here for the Bad Guys: Brian Van Lau
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

   

Arcanite Pictures: Oracle in the Aperture
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

   

Undressed: The Nude in Dutch Art, circa 1550-1800
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition, encompassing 21 works in various media, surveys the portrayal of nudity and semi-nudity in a variety of subjects rendered by Dutch artists over several centuries. It will explore how the nude has been articulated, both artistically and contextually, to disrupt traditional ideas of nudity in art, which were primarily argued by Sir Kenneth Clark in The Nude: A Study in Ideal Form (1956).

In this influential text, Clark posited that the presence of the nude in art, existed above and beyond cultural circumstances, as a timeless, almost abstract ideal. He advanced a distinction between "naked" and "nude," with the latter explained as an idealization, or an evocation of timeless ideals. To the contrary, this exhibition presents nudity in art as a phenomenon that is time-bound and culturally determined.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

   

CNY Artist Initiative: Ann Clark: Interior Landscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Ann Clarke is a celebrated fiber artist originally from Rochester, NY. Clarke's newest series, Interior Landscapes, includes large-scale rugs installed on walls for museum visitors to contemplate. Dreamlike images of trees challenge us to consider the vulnerability of our wooded landscapes. Oversized, empty chairs remind us of the consequences of loss — of both people and the environment in which we make our homes.

   

Feats of Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Central New York's Feats of Clay competition was established in 1987 to foster education in the ceramic arts for Syracuse-area high schools. Now in its 37th year, the event includes schools from as far away as the North Country and the Southern Tier and features a juried exhibition that recognizes students who demonstrate excellence in ceramic sculpting and vessel making.

On Friday, May 1, 2026, 500 students representing more than 25 schools will converge on the Everson Community Plaza to compete in a series of Olympic-style competitive events that involve (among other things) throwing blindfolded on the potter's wheel, stacking wheel-thrown cylinders, and building towering constructions out of clay coils.

   

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

   

A Riding Tide of Plastic in Art
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Project Vortex is an international collective of artists, designers, and architects actively focusing on the global problem of plastic pollution through their art. Curated by founding member Aurora Robson, this exhibition features a selection of works by Project Vortex members who are sequestering post-industrial and post-consumer plastic into works of art.

The world produces an estimated 360 million metric tons of plastic waste annually. Only approximately 9% of plastics are actually recycled globally. Current research reveals that microplastics are present in the bodies of virtually all humans. Operating at the intersection of art and science, Project Vortex strives to inspire people to rethink and reinvent plastic debris through innovation, creative stewardship, and education. Dedicated to improving global understanding of the impacts of plastic consumption and pollution, Project Vortex works to restrict the flow of plastic debris into the oceans and subsequently into the bodies of humans and animals.

   

2026 Poster Unveiling
Syracuse Poster Project

Price: Free
Art in the Atrium Gallery (formerly City Hall Commons)
201 East Washington St., Syracuse

The event brings together the poet/artist pairs who created the new posters, their friends and family, and other fans of public art.

Festivities include appetizers and beverages, music, a silent auction, sale of poster products, and brief presentations by the poets and artists.

   

Alisha B Wormsley: The Temple of Our Survival
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

The Temple of Our Survival is new video work commissioned by Light Work for projection at UVP exploring what survival means and looks like through a series of interviews conducted by the artist with local care workers, land stewards, and cultural workers in her nomadic film set and project space.

Screening begins at dusk.

   

LeMoyne Student Dance Company Spring 2026
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

LSDC presents its spring recital with over a dozen routines in a variety of styles, choreographed by students and guest choreographers.

Tickets

   

Jerron Paxton & Dennis Lichtman
Folkus Project

Price: $25 regular, $22 Folkus members
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Two extraordinary musicians and storytellers with a mutual love of the history, stories, and significance of the music they play...

Jerron Paxton and Dennis Lichtman are world-renowned multi-instrumentalists and vocalists whose formal musical partnership began with a video shoot at the Louis Armstrong House Museum in 2017. Since 2019, the duo has toured across the United States and internationally, and they served as artists-in-residence at New York City's Symphony Space for the 2024-25 season. They released their first duo album in 2021.

Paxton and Lichtman share a mutual love of the history, stories, and significance behind the music they play. Their energetic sets feature acoustic blues, ragtime, Tin Pan Alley pop songs, 1920s jazz, twin fiddle hoe-downs, and original songs and compositions. This is roots music in the true sense of the word, performed by two extraordinary musicians and storytellers.

Tickets

   

Pippin
Redhouse

Price: $25
Redhouse at City Center
400 S. Salina St., Syracuse

Guided by a mysterious troupe of performers and their magnetic Leading Player, young Pippin sets out on a quest to find meaning, purpose, and "his corner of the sky." Along the way, he explores adventure, ambition, and love. With its infectious score by Stephen Schwartz, Pippin is a high-energy, thought-provoking tale of self-discovery, illusion, and the true meaning of happiness. Join the dazzling journey of Pippin in collaboration with Arc of Onondaga!

Tickets

   

& Juliet
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Created by the Emmy-winning writer from "Schitt's Creek," this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: what would happen next if Juliet didn't end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way.

Juliet's new story bursts to life through a playlist of pop anthems as iconic as her name, including "Since U Been Gone‚" "Roar," "Baby One More Time," "Larger Than Life‚" "That's The Way It Is," and "Can't Stop the Feeling!" — all from the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there's life after Romeo. The only thing tragic would be missing it.

Tickets

   

Preview: Kentucky
Syracuse University Drama Department
Michelle Chan, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Hiro is a self-made woman making it in New York. But she is also single, almost 30 and estranged from her dysfunctional family who lives in Kentucky. When her little sister, a born-again Christian, decides to marry at 22, Hiro takes it upon herself to do whatever she can to stop the wedding and salvage any shred of hope she had about her sister's future. By Leah Nanako Winkler.

Tickets

   

Saturday, April 25, 2026

Gary Quirk: The Nature I See Through Clay
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Gary Quirk creates images in slabs of clay as a way of remembering and celebrating the world around him. According to Quirk, the images emerge from chance sightings or from dreams of sightings yet hoped for. They are derived from encounters with the outdoors that range from grand vistas to familiar urban settings, some from his own neighborhood. It is his wish that his tiles will serve as a focal point for other people to observe the beauty we find in our world.

   

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

   

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

Feats of Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Central New York's Feats of Clay competition was established in 1987 to foster education in the ceramic arts for Syracuse-area high schools. Now in its 37th year, the event includes schools from as far away as the North Country and the Southern Tier and features a juried exhibition that recognizes students who demonstrate excellence in ceramic sculpting and vessel making.

On Friday, May 1, 2026, 500 students representing more than 25 schools will converge on the Everson Community Plaza to compete in a series of Olympic-style competitive events that involve (among other things) throwing blindfolded on the potter's wheel, stacking wheel-thrown cylinders, and building towering constructions out of clay coils.

   

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

   

CNY Artist Initiative: Ann Clark: Interior Landscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Ann Clarke is a celebrated fiber artist originally from Rochester, NY. Clarke's newest series, Interior Landscapes, includes large-scale rugs installed on walls for museum visitors to contemplate. Dreamlike images of trees challenge us to consider the vulnerability of our wooded landscapes. Oversized, empty chairs remind us of the consequences of loss — of both people and the environment in which we make our homes.

   

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

   

We're Just Here for the Bad Guys: Brian Van Lau
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

   

Arcanite Pictures: Oracle in the Aperture
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

   

A Riding Tide of Plastic in Art
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Project Vortex is an international collective of artists, designers, and architects actively focusing on the global problem of plastic pollution through their art. Curated by founding member Aurora Robson, this exhibition features a selection of works by Project Vortex members who are sequestering post-industrial and post-consumer plastic into works of art.

The world produces an estimated 360 million metric tons of plastic waste annually. Only approximately 9% of plastics are actually recycled globally. Current research reveals that microplastics are present in the bodies of virtually all humans. Operating at the intersection of art and science, Project Vortex strives to inspire people to rethink and reinvent plastic debris through innovation, creative stewardship, and education. Dedicated to improving global understanding of the impacts of plastic consumption and pollution, Project Vortex works to restrict the flow of plastic debris into the oceans and subsequently into the bodies of humans and animals.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Undressed: The Nude in Dutch Art, circa 1550-1800
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition, encompassing 21 works in various media, surveys the portrayal of nudity and semi-nudity in a variety of subjects rendered by Dutch artists over several centuries. It will explore how the nude has been articulated, both artistically and contextually, to disrupt traditional ideas of nudity in art, which were primarily argued by Sir Kenneth Clark in The Nude: A Study in Ideal Form (1956).

In this influential text, Clark posited that the presence of the nude in art, existed above and beyond cultural circumstances, as a timeless, almost abstract ideal. He advanced a distinction between "naked" and "nude," with the latter explained as an idealization, or an evocation of timeless ideals. To the contrary, this exhibition presents nudity in art as a phenomenon that is time-bound and culturally determined.

   

Arte Joven/Young Art Exhibit Opening
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Come celebrate the creative and artistic achievements of Syracuse's young artists at the opening of the Arte Joven/Young Art exhibit. This event will feature special performances from La Casita's La Banda, Danza troupe, and Taller de Teatro, showing the talent that La Casita's afterschool program holds.

   

Alisha B Wormsley: The Temple of Our Survival
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

The Temple of Our Survival is new video work commissioned by Light Work for projection at UVP exploring what survival means and looks like through a series of interviews conducted by the artist with local care workers, land stewards, and cultural workers in her nomadic film set and project space.

Screening begins at dusk.

   

LeMoyne Student Dance Company Spring 2026
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

LSDC presents its spring recital with over a dozen routines in a variety of styles, choreographed by students and guest choreographers.

Tickets

   

LeMoyne Student Dance Company Spring 2026
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

LSDC presents its spring recital with over a dozen routines in a variety of styles, choreographed by students and guest choreographers.

Tickets

   

Strides Toward Democracy Film Series: Beneath the Surface: The Storied History of Onondaga Lake
Onondaga Historical Association

Price: $12
Manlius Cinema
135 E. Seneca St., Manlius

Beneath the Surface: The Storied History of Onondaga Lake covers the amazing history of the lake and the remarkable impact it has had on our American Way of Life over the past six centuries. From the birthplace of the Great Law of Peace and the great Haudenosaunee Confederacy, the first representative democracy in the west, to the production of the country's largest supply of some of its most important commodities and innovative products, to the Resort Era and the WPA project that built Onondaga Lake Park, to the most polluted lake in America, to one of the largest Superfund Clean-up sites in history, to a tourist attraction and the center of economic, cultural, recreational, educational, and natural development in our community.

Tickets

   

Special Event: Star Wars: A New Hope in Concert
Syracuse Orchestra (formerly Symphoria)
Sean O'Loughlin, conductor

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

The Syracuse Orchestra will present Star Wars: A New Hope in Concert featuring a screening of the complete film with composer John Williams' iconic Oscar-winning score performed live to the film.

Since the release of this first Star Wars movie over 45 years ago, the Star Wars saga has had a seismic impact on both cinema and culture, inspiring audiences around the world with its mythic storytelling, captivating characters, groundbreaking special effects and iconic musical scores composed by Williams. Fans will experience the scope and grandeur of this beloved film in a live symphonic concert experience.

Luke Skywalker begins a journey that will change the galaxy in Star Wars: A New Hope. Nineteen years after the formation of the Empire, Luke is thrust into the struggle of the Rebel Alliance when he meets Obi-Wan Kenobi, who has lived for years in seclusion on the desert planet of Tatooine. Obi-Wan begins Luke's Jedi training as Luke joins him on a daring mission to rescue the beautiful Rebel leader Princess Leia from the clutches of Darth Vader and the evil Empire.

Tickets

   

We Can Mend the Sky: Songs of Transformation
Syracuse Chorale
Sean Linfors, conductor

Price: $15 regular, under 18 free
Holy Cross Church
4112 E. Genesee St., Dewitt

A program of beautiful and moving works by composers including Jake Runestad, Morten Lauridsen, Stephen Paulus, and Elaine Hagenberg.

Tickets

   

Brian Thomas & The Strikes
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Brian Thomas is a folk musician whose music resonates with listeners from all walks of life. Drawing inspiration from the rich storytelling traditions of folk music, Brian weaves narratives that explore themes of love, loss, and the beauty of nature. With a unique blend of acoustic guitar, banjo, and harmonica, his sound evokes a sense of nostalgia while staying fresh and relevant in today's music scene. Hailing from Upstate NY, Brian's journey in music began at an early age, listening to his uncles play blues and bluegrass music. Over the years, Brian's songs have found a home in intimate venues and festival stages, where their authentic presence and raw emotion leave a lasting impression on audiences.

Brian is now backed by a band coined "The Strikes" comprised of Jeff Ingersoll on pedal steel, Mike Teixeira on electric guitar, Michael Fishman on drums, and Mike Sloan on bass. This dynamic group blends new indie/folk songwriting with classic country and rock n roll sounds.

Tickets

   

The Cadleys with Perry Cleaveland and JD Dancks
Steeple Coffee House

Price: $15-20 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

The Cadleys entertain audiences in Upstate New York and New England with a powerful blend of traditional bluegrass, "new acoustic" à la Alison Krauss, and John's original songs, many of which have been recorded by award-winning national artists. John's song "Time," recorded by Lou Reid, reached #1 on the bluegrass charts for three months. The Cadleys' recording of "The Hard Years," another of John's songs, garnered Best Bluegrass Song of the Just Plain Folks Music Awards.

In addition to world-class songwriting, the Cadleys' live performances feature Rochester's virtuoso, Perry Cleaveland on mandolin and SAMMY Hall of Fame member John Dancks on the upright bass. Paired with the sweet, smooth harmonies of Cathy and John Cadley, and the band's entertaining audience rapport —- the Cadleys always deliver a fresh and captivating performance.

   

Special Event: Star Wars: A New Hope in Concert
Syracuse Orchestra (formerly Symphoria)
Sean O'Loughlin, conductor

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

The Syracuse Orchestra will present Star Wars: A New Hope in Concert featuring a screening of the complete film with composer John Williams' iconic Oscar-winning score performed live to the film.

Since the release of this first Star Wars movie over 45 years ago, the Star Wars saga has had a seismic impact on both cinema and culture, inspiring audiences around the world with its mythic storytelling, captivating characters, groundbreaking special effects and iconic musical scores composed by Williams. Fans will experience the scope and grandeur of this beloved film in a live symphonic concert experience.

Luke Skywalker begins a journey that will change the galaxy in Star Wars: A New Hope. Nineteen years after the formation of the Empire, Luke is thrust into the struggle of the Rebel Alliance when he meets Obi-Wan Kenobi, who has lived for years in seclusion on the desert planet of Tatooine. Obi-Wan begins Luke's Jedi training as Luke joins him on a daring mission to rescue the beautiful Rebel leader Princess Leia from the clutches of Darth Vader and the evil Empire.

Tickets

   

& Juliet
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Created by the Emmy-winning writer from "Schitt's Creek," this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: what would happen next if Juliet didn't end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way.

Juliet's new story bursts to life through a playlist of pop anthems as iconic as her name, including "Since U Been Gone‚" "Roar," "Baby One More Time," "Larger Than Life‚" "That's The Way It Is," and "Can't Stop the Feeling!" — all from the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there's life after Romeo. The only thing tragic would be missing it.

Tickets

   

Pippin
Redhouse

Price: $25
Redhouse at City Center
400 S. Salina St., Syracuse

Guided by a mysterious troupe of performers and their magnetic Leading Player, young Pippin sets out on a quest to find meaning, purpose, and "his corner of the sky." Along the way, he explores adventure, ambition, and love. With its infectious score by Stephen Schwartz, Pippin is a high-energy, thought-provoking tale of self-discovery, illusion, and the true meaning of happiness. Join the dazzling journey of Pippin in collaboration with Arc of Onondaga!

Tickets

   

& Juliet
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Created by the Emmy-winning writer from "Schitt's Creek," this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: what would happen next if Juliet didn't end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way.

Juliet's new story bursts to life through a playlist of pop anthems as iconic as her name, including "Since U Been Gone‚" "Roar," "Baby One More Time," "Larger Than Life‚" "That's The Way It Is," and "Can't Stop the Feeling!" — all from the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there's life after Romeo. The only thing tragic would be missing it.

Tickets

   

Kentucky
Syracuse University Drama Department
Michelle Chan, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Hiro is a self-made woman making it in New York. But she is also single, almost 30 and estranged from her dysfunctional family who lives in Kentucky. When her little sister, a born-again Christian, decides to marry at 22, Hiro takes it upon herself to do whatever she can to stop the wedding and salvage any shred of hope she had about her sister's future. By Leah Nanako Winkler.

Tickets

   

Sunday, April 26, 2026

Laurent Craste: Iconoclasts
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Iconoclasts" marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste's vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.

   

Feats of Clay
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Central New York's Feats of Clay competition was established in 1987 to foster education in the ceramic arts for Syracuse-area high schools. Now in its 37th year, the event includes schools from as far away as the North Country and the Southern Tier and features a juried exhibition that recognizes students who demonstrate excellence in ceramic sculpting and vessel making.

On Friday, May 1, 2026, 500 students representing more than 25 schools will converge on the Everson Community Plaza to compete in a series of Olympic-style competitive events that involve (among other things) throwing blindfolded on the potter's wheel, stacking wheel-thrown cylinders, and building towering constructions out of clay coils.

   

A Long Look: Documentary Photography, 1888-2016
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late 19th century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent 10 days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind's Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two.

   

Realities Within
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist's reality is impacted by their lived experience. Separated by genre and installed "salon-style" — a term inspired by the 18th and 19th century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space — the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.

   

CNY Artist Initiative: Ann Clark: Interior Landscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Ann Clarke is a celebrated fiber artist originally from Rochester, NY. Clarke's newest series, Interior Landscapes, includes large-scale rugs installed on walls for museum visitors to contemplate. Dreamlike images of trees challenge us to consider the vulnerability of our wooded landscapes. Oversized, empty chairs remind us of the consequences of loss — of both people and the environment in which we make our homes.

   

We're Just Here for the Bad Guys: Brian Van Lau
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

   

Arcanite Pictures: Oracle in the Aperture
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

   

Undressed: The Nude in Dutch Art, circa 1550-1800
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition, encompassing 21 works in various media, surveys the portrayal of nudity and semi-nudity in a variety of subjects rendered by Dutch artists over several centuries. It will explore how the nude has been articulated, both artistically and contextually, to disrupt traditional ideas of nudity in art, which were primarily argued by Sir Kenneth Clark in The Nude: A Study in Ideal Form (1956).

In this influential text, Clark posited that the presence of the nude in art, existed above and beyond cultural circumstances, as a timeless, almost abstract ideal. He advanced a distinction between "naked" and "nude," with the latter explained as an idealization, or an evocation of timeless ideals. To the contrary, this exhibition presents nudity in art as a phenomenon that is time-bound and culturally determined.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Artist Talk: Natalya Khorover
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Natalya Khorover's practice stems from a need to create beauty from that which has been discarded. Striving to lessen plastic pollution and overconsumption drives her creativity. Zero waste is the ultimate goal for her practice. Natalya collects single-use plastic food packaging at home, cleans up trash on their walks, and transforms it in the studio.

Reclaiming and repurposing materials that often end up choking our environment or overflowing landfills has been art practice for years. She uses meditative hand stitching alongside an industrial sewing machine to stitch and collage layers of translucent single-use plastics that would otherwise contribute to litter pollution.

   

Women Composers Across the Centuries
Syracuse Chamber Orchestra

Price: Free
Park Central Presbyterian Church
504 E. Fayette St., Syracuse

Four Military Marches Princess Amalie of Prussia
Sonata in Trio No. 3 excerpts Elizabeth Jacquet de la Guerre
String Quartet No. 2 excerpts Maddalena Lombardini-Sirmen
String Quartet in Eb Major excerpts Fanny Mendelssohn Hensel
Prelude and Fugue, Op. 16. No. 3 Clara Schumann
String Quartet No. 2 excerpts Florence Price
Summer Dreams, Op. 47 Amy Marcy Cheney Beach
Symphony No. 2 (Finale) Emilie Mayer

   

Malmgren Concert: South Africa Tour Preview Concert
Hendricks Chapel
Hendricks Chapel Choir

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

The Hendricks Chapel Choir presents the music they will bring on their first-ever tour of South Africa. The choir will share an eclectic variety of music, from energetic works for choir and organ by Antonio Vivaldi, Cecilia McDowall, Paul Basler, and José "Peppie" Calvar, inspiring new pieces by American composers Jennifer Lucy Cook and Jeffrey Ames, and arrangements of traditional South African tunes.

   

Prize Winners
Society for New Music

Price: $25 regular, $20 seniors
St. Paul's Syracuse
220 E. Fayette St., Syracuse

Concert featuring the winners of the Israel/Pellman Prizes — Warp Acoustics by Ignacio Rosado and leaf litter by Edward Lu — plus the Armando Bayolo harpsichord concerto, (Unplanned) Obsolescence, featuring Ryan Chan.

Tickets

   

I’ll Follow the Sun: The Songs of Lennon & McCartney
CNY Jazz Arts Foundation
Featuring Marissa Mulder

Price: $30 in advance, $35 at the door
Sherwood Inn
26 W. Genesee St., Skaneateles

Marissa Mulder, Syracuse native and busy jazz cabaret vocalist on the New York City scene, will provide her trademark jazzy interpretations to her show "I'll Follow the Sun: The Songs of Lennon and McCartney."

Tickets

   

& Juliet
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Created by the Emmy-winning writer from "Schitt's Creek," this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: what would happen next if Juliet didn't end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way.

Juliet's new story bursts to life through a playlist of pop anthems as iconic as her name, including "Since U Been Gone‚" "Roar," "Baby One More Time," "Larger Than Life‚" "That's The Way It Is," and "Can't Stop the Feeling!" — all from the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there's life after Romeo. The only thing tragic would be missing it.

Tickets

   

Pippin
Redhouse

Price: $25
Redhouse at City Center
400 S. Salina St., Syracuse

Guided by a mysterious troupe of performers and their magnetic Leading Player, young Pippin sets out on a quest to find meaning, purpose, and "his corner of the sky." Along the way, he explores adventure, ambition, and love. With its infectious score by Stephen Schwartz, Pippin is a high-energy, thought-provoking tale of self-discovery, illusion, and the true meaning of happiness. Join the dazzling journey of Pippin in collaboration with Arc of Onondaga!

Tickets

   

Kentucky
Syracuse University Drama Department
Michelle Chan, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Hiro is a self-made woman making it in New York. But she is also single, almost 30 and estranged from her dysfunctional family who lives in Kentucky. When her little sister, a born-again Christian, decides to marry at 22, Hiro takes it upon herself to do whatever she can to stop the wedding and salvage any shred of hope she had about her sister's future. By Leah Nanako Winkler.

Tickets

   

& Juliet
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Created by the Emmy-winning writer from "Schitt's Creek," this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: what would happen next if Juliet didn't end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way.

Juliet's new story bursts to life through a playlist of pop anthems as iconic as her name, including "Since U Been Gone‚" "Roar," "Baby One More Time," "Larger Than Life‚" "That's The Way It Is," and "Can't Stop the Feeling!" — all from the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there's life after Romeo. The only thing tragic would be missing it.

Tickets

   

Monday, April 27, 2026

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

   

We're Just Here for the Bad Guys: Brian Van Lau
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

   

Arcanite Pictures: Oracle in the Aperture
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

   

Rock Ensemble Spring 2026
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

The Le Moyne College Rock Ensemble presents rock music from 1977 and beyond.

Tickets

   

Tuesday, April 28, 2026

Healing Forward: Rituals of Self Repair, Cultivation of Community, and Collective Activation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

A retrospective exhibition of over 60 multimedia and quilted works by Amber Robles-Gordon, an interdisciplinary visual artist of Puerto Rican and Caribbean descent who resides in Washington, DC. This body of work traces the through-line of healing — personal, communal, spiritual, and ecological frameworks — across the artistic career of Amber Robles-Gordon. Bringing together installations, quilts, assemblages, and collages created over more than a decade, the exhibition reveals how healing has functioned not only as a thematic concern, but as a methodology and ethical framework within the artist's practice.

   

We're Just Here for the Bad Guys: Brian Van Lau
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

We're Just Here for the Bad Guys chronicles Brian Van Lau's relationship with his estranged father. Lau's father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau's life. Nearly a decade later, Lau traveled to Vietnam following his father's sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father's unsuccessful path toward recovery. After his father's passing, Lau returned to his hometown in Hawai'i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his father's life. Entrusted with dispersing his father's ashes across O'ahu, the artist began working with his grandparents to reconstruct this fragmented family history through photography.

   

Arcanite Pictures: Oracle in the Aperture
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Arcanite Pictures was started to highlight emerging artists, emphasizing the personal narrative angle and diaristic storytelling in photography. Through online features and group shows, a library of small personal projects began to build, and, excitingly, as more people were invited to share their work, a lineage and an echoing formed, discoveries were made, and the distance between people diminished as a web of connections was established. The pictures shared constituted a language, and a portal to the various practices now joined across different cities, subcultures, and decades-old archives. For Oracle in the Aperture, artists were selected to join with peers, personal influences, and emerging lens-based artists to amplify and enhance each other's stories, emphasizing interpersonal and private relationships and the talismanic ability of photography to illuminate familial and gestural scenes.

   

Possible Worlds: 20 Years of the Wynn Newhouse Awards
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This landmark exhibition marks the 20th anniversary of the Wynn Newhouse Award, a pioneering initiative that has recognized and elevated artists of excellence who happen to live with disabilities. Established in 2006 by Wynn Newhouse, the award has championed bold, boundary-defying voices in contemporary art — highlighting practices that are as varied in form as they are unified in vision: a vision of art as a space where representation, identity, and access are not peripheral concerns, but central to the discourse.

At the heart of the exhibition is a curatorial inquiry: How do artists with disabilities navigate the art world, and the world at large, on their terms? And how does that navigation inform their work, influence its reception, and expand the field of cultural production? The goal is not to position disability as a central or singular theme, but to acknowledge it as one of many intersecting conditions that inform artistic practice. In doing so, this exhibition prompts us to reconsider who gets seen, whose experiences shape the canon, and how institutions can create more equitable conditions for artistic participation and recognition.

Exhibiting artists include Beverly Baker, Derrick Alexis Coard, Courttney Cooper, Joseph Grigley, Em Kettner, Reverend Joyce McDonald, William Scott, Kambel Smith, Katz Tepper, Melvin Way, and Peter Williams.

   

Undressed: The Nude in Dutch Art, circa 1550-1800
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This exhibition, encompassing 21 works in various media, surveys the portrayal of nudity and semi-nudity in a variety of subjects rendered by Dutch artists over several centuries. It will explore how the nude has been articulated, both artistically and contextually, to disrupt traditional ideas of nudity in art, which were primarily argued by Sir Kenneth Clark in The Nude: A Study in Ideal Form (1956).

In this influential text, Clark posited that the presence of the nude in art, existed above and beyond cultural circumstances, as a timeless, almost abstract ideal. He advanced a distinction between "naked" and "nude," with the latter explained as an idealization, or an evocation of timeless ideals. To the contrary, this exhibition presents nudity in art as a phenomenon that is time-bound and culturally determined.

   

*SOLD OUT* Carolyn Wonderland
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Join the waitlist

   

Spring Choral Concert 2026
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Panasci Family Chapel
LeMoyne College, Syracuse

The Le Moyne College Singers and Chamber Singers perform a variety of choral music.

Tickets